I'm interested in the disciplinary politics of Classics - why and how it has come to be as it is, its borders and exclusionary tactics - as well as critical-theoretical approaches to ancient Greek textss, especially in the precincts of decolonial, postcolonial, and queer thought. My current book project examines key thinkers of the generation of the Frankfurt School - Theodor Adorno, Herbert Marcuse, Walter Benjamin - and the pressure they apply and the use they make of the notion of (ancient) myth in their ambitious and devastating critiques of concepts such as Enlightenment, law, and civilization. Since 2020 I have co-stewarded a project with Marchella Ward (Open University) called Critical Ancient World Studies. Our collective has recently publlished a volume 'Critical Ancient World Studies: The Case for Forgetting Classics' (Routledge 2024) that rewires ideas of ancient-ness through a decolonial lens.

Biography:

I'm an daughter of the Tamil Eelam diaspora, born and raised in London and Essex. I took a BA in Literae Humaiores (Classics 1b) at Wadham College, Oxford 2005-2009 where I encountered classical reception studies for the first time and learned ancient Greek. An MA in Reception of the Ancient World at Univeristy College London (2010-11) altered my intellectual trajectory permanently, and I pursed the thread across an ocean to Princeton when I took my PhD in Classics (2011-2018). With a tip of my hat to Hannah Arendt, my PhD dissertation 'Antiquity in Dark Times: Classical Reception in the thought of Erich Auerbach and Theodor Adorno' was the place for me to investigate how ancient texts and particulalry Homer are read, used, interpreted when totalitarianism comes knockin at the door. As a post-doctoral research fellow at the University of Oxford (2018-2019), I worked on the Leverhulme funded 'Anachronism and Antiquity project in its final year before moving to Ithaca NY to take up a Mellon post-doctoral fellowship at the Society for the Humanities and the Department of Classics at Cornell University. There I was lucky to be in conversation with brilliant scholars from across the Humanities, as part of the 'Fabrication' and 'Afterlives' cohorts of fellows.