Literature, Environment, Activism
Module title | Literature, Environment, Activism |
---|---|
Module code | GEO3147 |
Academic year | 2024/5 |
Credits | 15 |
Module staff | Dr Laura Smith (Convenor) |
Duration: Term | 1 | 2 | 3 |
---|---|---|---|
Duration: Weeks | 10 |
Number students taking module (anticipated) | 90 |
---|
Module description
The Literature, Environment, Activism module explores the creative and quietly subversive political performances of environmental writing-as-advocacy, within a predominantly North American context. This module explores how nature and environmental writing can be politicised in defence of local, state, and federal land protections—whether by writers themselves, or by conservationists, activists, policymakers, and others. We will study the intersections of page and place through a selection of nonfiction environmental texts from the mid-nineteenth century onwards that have informed and moulded on-the-ground land conservation practices, or contributed to environmental regulation and legislation. We will also look at how fiction—such as climate fiction and speculative fiction, and the graphic novel—has emerged as another platform for commentary on the environmental condition. This module offers geographical approaches and tools to help students explore the contributions of environmental writing to conservation campaigns, and its place in wider environmental activism and protest narratives. We will ask questions of ‘literature,’ ‘environment,’ and ‘activism,’ and the intersections between them. We will examine the connections between writers and places, and the many ways literature is responding to ecological crisis and disaster and the climate emergency.
Module aims - intentions of the module
In this cultural geography module, students will develop a critical understanding of how nature and environmental writing becomes politicised in defence of the land—whether by writers themselves, or by conservationists, activists, policymakers, and others. We will encounter a range of activist literary texts from the mid-nineteenth century onwards, and from across the continental United States.
This module aims:
- To introduce students to the creative practices and performances of environmental writing-as-advocacy
- To enable students to apply their geographical knowledge in a practical manner in order to critically engage with environmental activism and advocacy narratives
- To provide students with an opportunity to creatively respond to e.g. an environmental writer, a piece of activist-writing, or an environmental issue/scenario
Intended Learning Outcomes (ILOs)
ILO: Module-specific skills
On successfully completing the module you will be able to...
- 1. Describe the place/contribution of environmental writing in narratives, practices, and performances of environmental activism, advocacy, and protest
- 2. Reflect on the synergies and distortions between the landscape on the page and the landscape in place
- 3. Combine creative and academic writing (and visuals) to present your work to different audiences
ILO: Discipline-specific skills
On successfully completing the module you will be able to...
- 4. Illustrate and discuss the contested and provisional nature of knowledge and understanding
- 5. Describe the nature of explanation within human geography, allowing for the critical evaluation of arguments, assumptions, and abstractions, to make correct judgments, to frame and successfully solve a problem
ILO: Personal and key skills
On successfully completing the module you will be able to...
- 6. Formulative and evaluate questions, and identify and evaluate approaches to problem-solving
- 7. Identify, acquire, evaluate, and synthesise material from a range of sources
- 8. Formulate a sustained and reasoned argument
- 9. Communicate ideas, concepts, and theories effectively and fluently in class or online by written, oral, and visual means
- 10. Develop independent learning skills, including self-directed reading, literature searches, and time management
Syllabus plan
The different blocks of the module all address the interplay between literature—environment—activism. Whilst the syllabus content may vary from year to year, it is envisioned that it will cover a combination of the following themes/topics:
Part I. A landscape, a writer, and a conservation nonprofit
Henry David Thoreau (1817-1862) and Walden Pond, Massachusetts…
John Muir (1838-1914) and Yosemite National Park, California…
Aldo Leopold (1887-1948) and the Leopold Shack and Farm, Wisconsin…
Marjory Stoneman Douglas (1890-1998) and the Florida Everglades…
Katie Lee (1919-2017), Edward Abbey (1927-1989), and Glen Canyon, Utah…
Part II. Environmental literature in conservation politics
Carson’s (1962) Silent Spring, DDT, and the U.S. environmental movement
‘This little book made a difference:’ Chapbooks, the writer-activist, and the story of two Utah national monuments
Part III. Environmental disasters, environmental justice, and literary activism
Writing the Exxon Valdez oil spill
Writing Hurricane Katrina
Writing Deepwater Horizon
Part IV. The politics of eco-fiction
The environmental imagination in ‘cli-fi’ and speculative fiction
Environmental activism and the graphic novel
Environmental ethics in children’s literature
How board games could save the environment
Part V. Wildcard
Class choice of theme/topic
--
Online field experience (Week 5):
Ted Hughes Poetry Trail, Stover Country Park, Bovey Tracey?/?Through an online field experience, we will explore the Ted Hughes?Poetry Trail in Stover Country Park, a Local Nature Reserve in Bovey?Tracey, outside Newton Abbot, Devon. This online field experience?offers the opportunity to explore,?in place, some of the intersections?between literature and landscape. Sixteen ‘poetry posts’ along the trail?display poems by Ted Hughes (1930-1998, Poet Laureate 1984-1998)?on environmental themes. A shorter Children’s Poetry Trail adds?further animal poems, with illustrations by Raymond Briggs.
--
Zine workshops (Weeks 6, 8, 10):
Beginning in Week 6, the module offers more ‘hands on’ learning through a set of in-class workshops and surgeries. In these sessions, students will have the opportunity to participate in an in-class workshop led by the module convenor and other human geography staff/members of the department’s Cultural and Historical Geographies research group. Subsequent workshop time will be set aside to allow students to prepare their final zine projects. Students will be taught the creative skills to develop their own zines (a zine is a short magazine that is self-published—for more information on the power of the zine as a tool for engaged research, see Bagelman and Bagelman 2016). Students will be encouraged to pursue a final project that they find genuinely important and interesting. Students will also have the (optional) opportunity to share their work in a GEO3147 zine exhibition.
Learning activities and teaching methods (given in hours of study time)
Scheduled Learning and Teaching Activities | Guided independent study | Placement / study abroad |
---|---|---|
22 | 128 | 0 |
Details of learning activities and teaching methods
Category | Hours of study time | Description |
---|---|---|
Scheduled Learning and Teaching | 9 | Lecture |
Scheduled Learning and Teaching | 9 | Book Club (reading seminar) |
Scheduled Learning and Teaching | 2 | Zine making workshop |
Scheduled Learning and Teaching | 2 | workshop/surgery for zine idea |
Guided independent study | 4 | Online field experience (Stover Country Park, Bovey Tracey, exploring the Ted Hughes Poetry Trail) |
Guided Independent Study | 124 | Preparatory reading, activities, researching and writing formative and summative assignments |
Formative assessment
Form of assessment | Size of the assessment (eg length / duration) | ILOs assessed | Feedback method |
---|---|---|---|
Zine proposal | 5 slides | All | Verbal |
Summative assessment (% of credit)
Coursework | Written exams | Practical exams |
---|---|---|
100 | 0 | 0 |
Details of summative assessment
Form of assessment | % of credit | Size of the assessment (eg length / duration) | ILOs assessed | Feedback method |
---|---|---|---|---|
Zine (mini magazine) | 50 | 8-page mini magazine (size A2 paper) | All | Written |
Critical Commentary | 50 | 2,000 words | All | Written |
Details of re-assessment (where required by referral or deferral)
Original form of assessment | Form of re-assessment | ILOs re-assessed | Timescale for re-assessment |
---|---|---|---|
Zine | Zine | All | Referral/Deferral period |
Critical Commentary | Critical Commentary | All | ReferralDeferral period |
Re-assessment notes
Deferral—if you miss an assessment for certificated reasons judged acceptable by the Mitigation Committee, you will normally be either deferred in the assessment or an extension may be granted. The mark given for a re-assessment taken as a result of deferral will not be capped, and will be treated as it would be if it were your first attempt at the assessment.
Referral—if you have failed the module overall (i.e. a final overall module mark of less than 40%) you will be required to re-submit the relevant assessment. If you are successful on referral, your overall module mark will be capped at 40%.
Indicative learning resources - Basic reading
Book Club set texts (e.g.chapters/sections) will be set by the module convenor each week.
Indicative module reading list:
-
Ammons, E. 2010. Brave New Words: How Literature Will Save the Planet. Iowa City, IA:University of Iowa Press.
-
Anderson, J. 2014. Page and Place: Ongoing Compositions of Plot. Amsterdam and New York, NY: Rodopi.
-
Bagelman, J.J. and Bagelman, C. 2016. Zines: Crafting Change and Repurposing the Neoliberal University.�ACME15.2: 366-392.
-
Buell, L. 2005. The Future of Environmental Criticism: Environmental Crisis and Literary Imagination. Malden, MA: Blackwell.
-
Buell, L. 2001. Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond. Cambridge, MA: Belknap Press of Harvard University Press.
-
Cameron, E. 2012. New geographies of story and storytelling. Progress in Human Geography 36.5: 573-592.
-
Cronon, W. 1992. A Place for Stories: Nature, History, and Narrative. Journal of American History 78.4: 1347-1376.
-
Duncombe, S. 2017 [1997]. Notes from Underground: Zines and the Politics of Alternative Culture. Portland, OR: Microcosm Publishing.
-
Glotfelty, C. and Fromm, H. Eds. 1996. The Ecocriticism Reader: Landmarks in Literary Ecology. Athens, GA: University of Georgia Press.
-
Griffiths, J. 2021. Why Rebel? New York, NY: Penguin.
-
Payne, D.G. 1996. Voices in the Wilderness: American Nature Writing and Environmental Politics. Hanover, NH: University Press of New England.
-
Philippon, D.J. 2005. Conserving Words: How American Nature Writers Shaped the Environmental Movement. Athens, GA: University of Georgia Press.
-
Satterfield, T. and Slovic, S. Eds. 2004. What’s Nature Worth? Narrative Expressions of Environmental Values. Salt Lake City, UT: University of Utah Press.
-
Slovic, S., Rangarajan, S., and Sarveswaran, V. Eds. 2019. Routledge Handbook of Ecocriticism and Environmental Communication. Abingdon, Oxon: Routledge.
-
Smith, L. 2022.Ecological Restoration and the U.S. Nature and Environmental Writing Tradition: A Rewilding of American Letters. Cham, Switzerland: Palgrave Macmillan.
-
Turner, F. 1989. Spirit of Place: The Making of an American Literary Landscape. Washington, D.C.: Island Press.
-
Weik von Mossner, A. 2017. Affective Ecologies: Empathy, Emotion, and Environmental Narrative. Columbus, OH: Ohio State University Press.
-
Wrekk, A. 2020 [2005]. Stolen Sharpie Revolution: A DIY Resource for Zines and Zine Culture. 6th Edition. Portland, OR: Lunchroom Publishing.
-
Zapf, H. 2016. Literature as Cultural Ecology: Sustainable Texts. London: Bloomsbury Academic.
Online resources:
-
ELE page: https://vle.exeter.ac.uk/
Credit value | 15 |
---|---|
Module ECTS | 7.5 |
Module pre-requisites | None |
Module co-requisites | None |
NQF level (module) | 7.5 |
Available as distance learning? | No |
Origin date | 10/03/2021 |
Last revision date | 14/03/2024 |